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Glenn G. Coats

The Pale of Late Summer

I have not seen Dave in twenty years. He is leaning on a cane behind the storm door when I pull into the drive. His still thick hair now ghostly white.

Dave leads me into a cluttered room with piles of music books, guitar cases, a dusty piano. A fan wobbles and hums. We pull two chairs together. “I can’t remember you ever being here,” he says. “You will have to remember for me.”

I remind him of the coffee shop in Bryn Mawr; how he took me to my first concert. “Yes,” Dave says. “Jerry Jeff Walker. Was that in 1969?” We talk about a blues guitar player that we caught at a refurbished mill. “Didn’t he have holes in his shirt?” Dave asks.

The afternoon passes and we take our guitars from their cases. At first, Dave recalls bits and pieces, a verse or two, a bass run. The beginning of one song, the end of another. “These strings are three years old,” he says. “I don’t think I can change them anymore.”

I teach him a tune about a fisherman. He closes his eyes and harmonizes along. Just as I am about to put my guitar away, Dave suddenly begins a song. His fingers move up and down the frets; he knows all the words to “Down By the Henry Moore.”

scent of wood smoke
light somewhere
over the hill

About the Author

Glenn G. Coats

Glenn G. Coats lives with his wife, Joani, in Carolina Shores, North Carolina. His books include two Snapshot Press collections of haibun, A Synonym for Gone (2021) and Degrees of Acquaintance (2019); Furrows of Snow (Turtle Light Press, 2019), an honorable mention winner in the Haiku Society of America’s 2020 Merit Book Awards; and Another Lost Boat (Pineola Publishing, 2022).

1 thought on “<strong>Glenn G. Coats</strong>, The Pale of Late Summer”

  1. Good one. Brought back memories. Are you writing about the Main Line? I saw Jerry Jeff Walker there and other folk greats too. Thanks.

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