Amelia Fielden
Hanabi
My lifelong fascination with fireworks began when I was about six. At the time my
grandfather was working for the Navy. One summer evening we boarded one of their
boats, motored out towards Sydney Harbour Bridge, and moored on the dark water. The
sky became black velvet, studded with stars. Suddenly the stars were pink and green
and gold: booming, flashing, vanishing.
the launch rocks
as I scamper side to side
looking upwards
for the most beautiful
of the fireworks
In my childhood, ‘Empire Day’ was a special event on the May calendar. Families
celebrated by letting off crackers in their gardens at night.
circa 1949 kept in safety behind the kitchen window I waved and yelled at Dad outside, firing off catherine wheels, fountains, rockets
Fireworks, a time-honoured tradition in Japan. In rural villages particularly popular is
the custom of playing with sparklers on summer nights. Kids run around excitedly
weaving light patterns with their sparklers
Yamaguchi
August 1976
my small girls
clad like the locals
in yukata**
dancing down the street
waving magic wands
Long ago, all of those hanabi, all of that fun.Then came the end of 2021. After two pandemic years of separation, our widely-scattered family was finally, but all too briefly, reunited.
New Year's Eve 2021 ten together waiting on my balcony … with a huge bang the sky explodes in rubies emeralds, silver, and gold
A joyful gathering as ephemeral as the fireworks
2 January
2022
through salty air
crickets shrilling on one note,
a rolling roar
from the blacked out ocean …
no flower fire, this lonely night
About the Author
Amelia Fielden is Australian. She is a professional Japanese translator and a keen writer of traditional Japanese forms of poetry in English. Her most recent collection is These Purple Years (Ginninderra Press, 2018).