Home » cho 17.2 | Aug. 2021 Table of Contents » Gary LeBel, red sumac » Page 3

red sumac

SCENE B


—MUSIC BEGINS—an Irish harp in a major key

Another likeness appears onscreen in color. She is smaller than the others; her contagious smile is full of joy. Her hair falls loose around her, over her shoulders and onto the floor. She has enormous brown eyes. Her name is LETTIE. She sprawls on an attic floor in her long white dress. Her pose is dreamy, her left cheek is pressed against the wide, unpainted boards of the attic floor where she rests her head on her arm. The attic itself is old and empty but brilliant smoky sunlight streams in through a pair of windows behind her with a blaze of woodland colors that spill and play about her white dress.

CHORUS (dimly illuminated)

          Do we start from nihil
          each new day as the sun reaches far
          into our windows
          with its life-giving touch . . .
          or shoulder yesterday's yoke?

LETTIE (w/CHORUS LEADER, “CL”)

          They lay the bricks:
[CL]   arrow-straight they rise and stay.
[CL]   Lilacs the gardener planted rush to bloom:
          how soon their fragrance knocks
          at the door to my favorite room

          As you voyage south, my love,
          I dream of sails stretched taut
          where canvas, wood and sea
          are the house your lips had promised
          it would also build for me

          We tied our horses
          to an isle a sea of grass enclosed
          on that glorious summer's eve:
          though we lingered but an hour
          how many centuries passed?

          The tick of the hallway clock
          reminds me of all the time I waste
          while you with eventful hands,
          with journeying eyes will feast 
          on things I cannot taste

          When we merged our brooklets
          into one clear and singing stream
          no words were needed
          for that new and natural tongue
          spoke for us through touch

          My sweet, the goldenrod 
          has just now bloomed: how like those
          that draped Aeneas' brow 
          the locks I swept aside
          to find your eyes

CHORUS

          The earth is harsh
          for only stone and rain live long,
          our moments
          less than the down of wings
          a heron leaves on wind . . .

LETTIE

          Tomorrow
          there shall be news, I know't!
          Don't ask me how, I do:
          why ask of rain its reason
          or why the robin's egg is blue?

CHORUS

          The sun, lying low to rest,
          is a yearling lost in quiet groves
          that skirt these golden fields . . .
          and unknown a world away
          begins the sorrow a sunrise yields . . .

LETTIE

          Snagged on a rusty nail,
          the garden snake, disrobing,
          reveals a shine of reborn skin:
          were time that pocks our mortal flesh
          as easy to clothe afresh . . .

LETTIE gently picks up a translucent snake skin and examines it thoughtfully.

          Evening shadows
          inundate these withering slopes . . .
          how soon will snow-light leave
          its silent glow
          in lonely morning kitchens . . .

          and I am left to listen,
          at sunrise, noon and dusk
          in every hall and room
          when with fire's kindly mouth
          the hearth shall speak of you . . .

CHORUS LEADER

          They who wait for loves
          enfold their longings into hours
          setting tasteless, dull repasts,
          laying ears to doors that never open,
          to pillows never pressed:

          a letter's come . . .
          oblivious to the news it holds
          the maples shake and sway . . .
          and while young corn sends up its tassels
          a locust chants away

LETTIE

          Had I the choice,
          a wave I'd want to be
          to chase your footsteps
          pressed into alien shores,
          their hollows to fill with me . . .

LETTIE turns and props herself up on her elbows and looks out the bright window and we cannot see her face in the sun’s glare, only the aura round it. Her image fades, her manikin in turn.

BEGIN SCENE C

Leave a Comment