Home » cho 16:1 | April 2020 » Haibun: Our Lady of the Pigeons

Doris Lynch

Our Lady of the Pigeons

She arrives at the post office steps across from Penn Station. Elegantly jeweled, in late middle age, her hair the color of winter wheat. On this March day she wears a pink wool suit, carries a New Yorker bag. As she approaches, pigeons rise and swirl, wings fluttering loudly. Rushing to secure a position near her, they nudge each other aggressively. 

She hurls seed in every direction and then—bag nearly empty—she walks toward us. My husband is feeding the end of his bagel to a broken-winged bird. “Not really good for them,” she warns. “But OK, occasionally. Just break it into bits.” She demonstrates by shredding the remainder of the bagel. Descending a few steps, she flips her bag upside down and shakes out the last of her gifts. The flock scuttles, plucks seeds, rises to the sky.

“First day without a coat and gloves,” she tells us. “So thrilled they still recognize me.”

suddenly a girl again
carrying a shoebox 
with an injured bird

About the Author

Celebrating her first decade writing haibun, Doris Lynch has recent work in Haibun Today, cho, Frogpond, Modern Haiku, and FemkuMag. She also writes in longer forms. 

4 thoughts on “Haibun: Our Lady of the Pigeons”

  1. How beautiful! Upon reading Our Lady of the Pigeons, I felt as I had stumbled into a warm ray of sunshine on an otherwise typically cold March day. I wanted to join in with the three and pitch a few crumbs, too. Picturesquely written scene of human compassion and the joy of interaction with non-human nature all the way through the ending haiku. Thank you, Doris Lynch.

    Reply
    • Thank you, Ken, for your kind remarks. You are always welcome to join us throwing crumbs or (preferably) seeds at any time!

      Reply

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