Introduction by Ron Moss

Haiga Gallery: Caroline Skanne

I have been a fan of Caroline’s art and poety since I first saw her work a few years ago. Caroline’s creations continue to surprise and appeal, whether she is editing and creating beautiful journals (hedgerow, Blithe Spirit, wildflower poetry press) or taking time in her busy life to produce the most wonderful haiku. We are always left the richer for the experience.

In this selection of haiga we see crisp, colourful images beautifully captured and presented. The images do not overwhelm the canvas, and enough “white space” is left on the frame for the haiku. The font has that lovely typewriter effect, making it feel a little handmade and created with care. In connecting haiku and image, Caroline uses comparison and association, rather than straight illustration of the image content. The two separate creative expressions of words and image become one, which is greater than the separate parts—the mark of truly pleasing haiga. You can see more of her work here.

Caroline explains in her own words:

“I took my first photograph in a Berlin backyard when I was around 5; I still remember the intense shade of the purple flower against all that grey. What fascinates me about photography, as well as short-poetry forms such as haiku, is the moment. When combining the two, I look for synergy, balance, and a subtle interplay. My approach tends to be minimalist. Negative space is important, as is conveying mood and depth of feeling.

It is a challenge to find a way to combine poem & photograph without overstating or overriding, oversimplifying or complicating. Verse & image have to do more than merely coexist, they have to somehow become part of each other to effectively communicate and offer new ways for the senses to engage with both art forms.”

Click on any image below to see a full-size image and begin the slide show.

Notes on the Haiga

“summer breeze”: Haiku (without image) first published in Otata #48. Photograph taken at Dreamland, Margate, UK.

“river mist”: Haiku (without image) first published in Presence #65. Photograph taken in Upnor, by the river Medway, UK

“bluebell woods”: Haiku (without image) first published in Frogpond 41.2. Photograph taken in Great Chattenden Woods, Medway, UK.

“going home”: Photograph taken in Tranås, Sweden.