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Judson
Evans
Letters from the
Village of Liars
By morning, everything
must be torn apart and started over. It begins with the water tower. I walk
the perimeter, let perception loosen and wander, slink over the range of
stimuli, then take account, allow a focus. It could
start anywhere. A single catch phrase, a frayed closure, an open patch I purposely
refuse to back-butter with the trowel of dailyness, one loose thread yanked
clean and I'm left again an empty page
leaf stuck mushroom
tearing itself apart
to unfold
All day out exploring in
widening parabolas from the tower. The moss makes its own
erratic paths between stones stained with tie-dye patterns of blackberry
bird shit. Mushrooms press
up under leaves, disrupt
the forest
floor, making room, wearing camouflage, drafts of cool air closer to
the swamp, the flat stones hold their skin of moisture
abandoned barracks
the fence electrified
by locusts
At the top of the steep
trail, a dead tree draped over rocks, powdery red innards, iron rich, and
what remains of the lichen covered
body,
splayed,
disarticulated,
so fully penetrated, it is no longer matter but a set of probabilities,
fearless unraveling of form...
hollowed by rot
a fallen birch
ripples
After several hours, I
realize we've ended miles from the trail head. We backtrack and circle, and
I see now what I haven't told
you yet,
haven't
explained: this
is the basic condition here. Always two choices: stand in place
or to enter the circling and persist until the critical moment for
an opening,
the
way certain seeds must burn to germinate, or flowers need eclipse
to bloom, or
closer to this sense of space, those puzzle boxes built by fine
Japanese craftsmen that bear in incised circles the pattern of a constellation
Cassiopia or the
Great bear that must be perfectly aligned before a compass is
engaged inside turns a lever, and opens the box.
We circle back, exhausted,
the dog laying down twice and forcing me to rest, my face streaming with
sweat that won't even let
the biting flies
get a purchase,
and then, finally, back to the fence again, and when we circle
it, this time not stopping at the water's false trail but
winding three
quarters
turn around
the compass and the door opens. We find our way back. |