Lew Watts
The Embers
The wind is down and the air is still as I follow him into the mists of the forest. I’d be lying if I said I hadn’t loved my first time hunting with him. I had, though I know I didn’t thank him, and for that I’m sorry. But the truth is, I always longed to go again, if only to get away, to feel safe once more. Today, I can smell vanilla wafting from the pines as I walk in his tracks. The lead dog picked up a scent awhile back, and is now locked on once again. I hear the click of his shotgun. Suddenly, the Springer to the right stops and pants before rushing into a thicket. Something brown and beautiful lifts into the air, then clucks and chuckles as the air turns red with flakes of down … and a shape falls with a sickly thud to the ground. All is quiet, save the sound of a dog tearing a bird’s last breath away. He walks forward and hands me what’s left of a pheasant. Asks if I’d like to keep it, or eat it here and now. There’s a clearing nearby, he says. So we make up a fire in the ash of a pit, rig up a spit, and lie down while the flames quietly burn off the feathers. Without warning, a bark, then another. Lots of things buried ‘round here. Just don’t tell anyone, he says. Let it be our little secret.
The wind is down and the air is still as I follow him into the mists of the forest. I’d be lying if I said I hadn’t loved my first time hunting with him. I had, though I know I didn’t thank him, and for that I’m sorry. But the truth is, I always longed to go again, if only to get away, to feel safe once more. Today, I can smell vanilla wafting from the pines as I walk in his tracks. The lead dog picked up a scent awhile back, and is now locked on once again. I hear the click of his shotgun. Suddenly, the Springer to the right stops and pants before rushing into a thicket. Something brown and beautiful lifts into the air, then clucks and chuckles as the air turns red with flakes of down … and a shape falls with a sickly thud to the ground. All is quiet, save the sound of a dog tearing a bird’s last breath away. He walks forward and hands me what’s left of a pheasant. Asks if I’d like to keep it, or eat it here and now. There’s a clearing nearby, he says. So we make up a fire in the ash of a pit, rig up a spit, and lie down while the flames quietly burn off the feathers. Without warning, a bark, then another. Lots of things buried ‘round here. Just don’t tell anyone, he says. Let it be our little secret.
The wind is down and the air is still as I follow him into the mists of the forest. I’d be lying if I said I hadn’t loved my first time hunting with him. I had, though I know I didn’t thank him, and for that I’m sorry. But the truth is, I always longed to go again, if only to get away, to feel safe once more. Today, I can smell vanilla wafting from the pines as I walk in his tracks. The lead dog picked up a scent awhile back, and is now locked on once again. I hear the click of his shotgun. Suddenly, the Springer to the right stops and pants before rushing into a thicket. Something brown and beautiful lifts into the air, then clucks and chuckles as the air turns red with flakes of down … and a shape falls with a sickly thud to the ground. All is quiet, save the sound of a dog tearing a bird’s last breath away. He walks forward and hands me what’s left of a pheasant. Asks if I’d like to keep it, or eat it here and now. There’s a clearing nearby, he says. So we make up a fire in the ash of a pit, rig up a spit, and lie down while the flames quietly burn off the feathers. Without warning, a bark, then another. Lots of things buried ‘round here. Just don’t tell anyone, he says. Let it be our little secret.
Note: The final haiku is composed of homographs, words with the same spelling and sound but different meanings.
About the Author

Lew Watts is haibun co-editor of Frogpond and author of two Snapshot Press books, Tick-Tock (2019) and Eira (2023), the latter of which won a 2024 Touchstone Award and Best Book of Haibun in the HSA Merit Book Awards. He is also the co-author, with Roberta Beary and Rich Youmans, of Haibun: A Writer’s Guide (Ad Hoc Fiction, 2023).
Utterly brilliant!
A self-consuming artifact that leaves incendiary sparks…
Thanks so much Judson. That makes the three months of trying to find a haiku comprised solely of homographs worthwhile! Seriously, so glad you liked it – means a lot to me.
Brilliantly written, this burning haibun has troubled me for days. It opens so innocently with the scent of ponderosa, the warm scent of dog—then progressively erodes into something foul a spaniel dug up, spalling like diseased ash bark—but never named. It provokes either the darkest secrets of imagination . . . or something else I can’t quite identify—all while admiring the homograhic transformation of the poem. Geez, Lew—tell me if I’m misreading this, but don’t tell me more.
You’re not misreading, Billie. Thank you.
Consummate craft. Heart-rending. The final haiku shape-shifts in meaning and pov like the smoke it is. Thanks, Lew!
Many thanks, Michele.
Absolutely wonderful, Lew.
Totally captivating. Congratulations.
Gavin