Kati Mohr
Aye.
Glowing white below a greyish sky: magnolia buds. Large, spindle-shaped, and vertical. In the week they open, the pink on their petals counts all the more as it almost always rains, and the splendour is less splendid and quickly over; the petals soaked wet. The pedestrians walking past duck under their umbrellas or into their hoods or into their thoughts.
Then all the green, in a shower.
washing up
former sea shells
morning dishes
spider spoon sweat in June
The sun becomes strong overnight. People pull on thin jackets in the shade and shiver a little; in the sunlight, they throw them on the ground and close their eyes before they are blinded. The skin screams red in the evening. Soon it’s just one, not the other. Then the jacket again, off or on? Mosquito nets… (I make a
mental note.)
a paper plane
out of the open window
debit side daisies
Clouds race across the sky, and leaves rustle on the ground, and that’s too much or too little. Some trees cling longer; others, the thirsty ones, are already ahead. There is no stopping here, only a letting go. With the wind come people checking on the old bricks and untied flower pots, that which cannot be controlled. It all expands.
not naming how
anybody feels
it novel
People have speech bubbles in front of their faces with no content, and they tell stories, again and again, cupping hot mulled wine: of snow and frost and sleigh rides, footprints and sun and ice, and it’s not like that anymore, not like then. They tell new stories of what is gone; the world changes.
About the Author
Kati Mohr is a disabled intuitive artist and poet living in Germany with her family and two rabbits. Her art aims to trace the filters humans apply, as how we see things often says more about us than about the thing itself. She placed second in the Marlene Mountain Memorial Contest 2023, organized by FemkuMag. See more @pi.and.anne.