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Contents Page: March, 2009, vol 5 no 1
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Haibun Selections
Hortensia Anderson, Cameo
Hortensia Anderson, Platinum Print
Shelly Bryant, Project
Andrea Cecon, Untitled
Marcyn Clements, At Kerry & McConnell
Susan Constable, Someone’s Daughter
Cherie Hunter Day, Surge
Billie Dee, Beatitude
Billie Dee, Salzburg
John Dunphy, Fish for Dinner
John Dunphy, Hell Freezing Over
John Dunphy, Working Abroad
Gary Eaton, A Chalk Mandala
Lynn Edge, Mother’s Dress
Judson Evans, A Museo dei Barbari
Jerry Gill, Untitled
Graham High, Blister Pack
Graham High, Driftwood
Joyce Hildebrand, Starry Eyed
Colette Jonopulos, 3009
Clyde Kessler, Screech Owl
Ellen Lindquist, Jane Austen Dawn
Giselle Maya, A Huguenot
Giselle Maya, Campredon
Giselle Maya, Le Foyer
Michael McClintock, An Account to a Friend about My Life in the West
Michael McClintock, Courage in November
Albert Melear, Extinction
Renee Owen, Amtrak
Renee Owen, Hattie’s Funeral
Renee Owen, Love Happens
Linda Papanicolaou, Dreamcatcher
Patricia Prime, Challenging Landscape
Patricia Prime, Windsurfers
Kala Ramesh, The Threshold
Ray Rasmussen, Endings
Ray Rasmussen, The Folding Knife
Cynthia Rowe, Sun Music
Adelaide Shaw, Lab Test
Barbara Strang, A Lack of Honesty
Barbara Strang, The Visitant
Beverly Tift, Mermaids
Beverly Tift, Sea of Lost Ships
Lisa Timpf, Winter Solstice
Diana Webb, Firmament
Diana Webb, Midwinter Dream
Liz Wells, East
Jeffrey Winke, “No” Without Hesitation
Jeffrey Winke, Sweet Doomed Angels
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Content Editors Ken Jones, Jim Kacian and Bruce Ross review submissions independently and then collaborate to accept submissions for two categories: I. contemporary haibun, an annual anthology from Red Moon Press and, II. contemporary haibun online. All selections are published in cho, our online journal and the writers are notified as to whether their haibun will also appear in the annual.
Copyright: All contents are the property of the contributors and contemporary haibun online. Contributors are free to publish elsewhere so long as cho is cited as the first place of publication. No content may be published or distributed elsewhere in any form or in any way without permission of the contributors. cho is associated with the print journal contemporary haibun which is published annually and which can be ordered through the Red Moon Press. cho retains the right to republish the contents in the print annual publication: contemporary haibun. The haibun in the Selections for contemporary haibun section will be published in the next print issue of contemporary haibun.
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