Maureen Kingston
Prayers from the Void
After Kader Attia’s installation “Ghost” (2007)
At the celebration of my brother’s life. Entryway hugs. Handshakes. Condolences. Such a dutiful son. The good really do die young. Later, the congregation slides from pews to kneelers, backs bent in repentance. The posture’s foreign and familiar, a phantom spasm from an amputated limb.
fatima, mary, me
How I once lived it all—outer erasing inner—losing my individuality in murmuration.
pour tea for one another
Ten years ago. Thanksgiving Day. The smell of oysters, chestnuts, and sage. I make the big announcement in the kitchen. I don’t believe in God anymore. Silence. Mother nods, crumples the tin-foil tent from the turkey breast, tosses it away. As easy as that. Excommunicated.
kintsugi
Note: Kader Attia’s installation “Ghost” can be seen here.
About the Author

Maureen Kingston’s poems and prose have appeared or are forthcoming in Failed Haiku: A Journal of English Senryu, Gone Lawn, Gyroscope Review, MacQueen’s Quinterly, Maudlin House, Modern Poetry Quarterly Review, Sledgehammer Lit, Unbroken Journal, and Whiskey Island. A few of her poems and prose pieces have also been nominated for Best of the Net and Pushcart awards.
The economy of this piece is as noteworthy as the emotive tissue. Nice work.