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My Father Loves Me Wrong When

he’s blotto
        tanked up
sloshed
         tight

lopsided moon

he’s soused
        pie-eyed
tipsy
        boozy

a bottle of bourbon

he’s lit
         well oiled
plastered
         hammered

beside his ashes

he’s wasted 
        loaded
wrecked 

         stewed


About the Author

Roberta Beary

Roberta Beary is the longtime haibun editor of Modern Haiku. Born in Queens, New York, they identify as gender fluid and divide their time between the USA and Ireland. They are the co-author, with Lew Watts and Rich Youmans, of Haibun: A Writer’s Guide (Ad Hoc Fiction, 2023). Their fourth collection, Carousel, is now available from Snapshot Press.


4 thoughts on “Roberta Beary: My Father Loves Me Wrong When”

  1. There’s so much to participate with in this enjoyable, unconventional haibun. The left-sided, poetic repetition of well-known words for drinking–for “loves me wrong when”–turns those words into something else entirely, a startling litany, a lifetime diary of sorrow and waste. And this series of words also extends the lyric, forceful, energy of the very intriguing and original title, so that the title becomes a kind of chant extending into the main body of the haibun. And the way RB nestles the three lines of the haiku along the right side of the page, stretching its beautiful and startling impact across the page–is also very effective; the wordless, spatial dimension of this haibun is fresh and effective. And then there’s the stunning haiku itself, which contains and illuminates a life and a death, with a woeful, passionate, clear-eyed honoring of both, even amidst all the “wrong.” There is something triumphant about this haibun; it’s a kind of wake. And a wonderful example of making/remaking the malleable and remarkable haibun form. Thank you, RB!

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