Welcome to contemporary haibun online, a quarterly journal appearing in March, June, September and December of each year. We are pleased to offer our readers quality haibun-style writing and to encourage both the writing and reading of contemporary haibun.

Editors Ken Jones, Jim Kacian and Bruce Ross review submissions independently and then collaborate to accept submissions for two categories: I. for both contemporary haibun [the yearly print journal] and contemporary haibun online, and, II. for contemporary haibun online.

Ken Jones' Corner: The first of a series on contemporary haibun.

Selections for contemporary haibun [The Yearly Print Journal]

Francis W. Alexander, Shocks
Curtis Dunlap, Dust
Jamie Edgecombe, Powder White
Jamie Edgecombe, Gyaru
Judson Evans, Voice Over
Graham High, Table Turning
Mark Hollingsworth, The Day Begins
Francis Masat, Reception
Michael McClintock, Great Rockaway
Allen McGill, 'mare
Kilmeny Niland, Winter Beach
Graham Nunn, Leaving Home
Dru Philippou, Vignette: The Lama Foundation
Sita Seng, Heat/Light
John Sexton, Exchanges
Tad Wojnicki, Eating Very California

Selections for contemporary haibun online

Hortensia Anderson, Haiku with Zip
Lynn Edge, Son and Snow
Judson Evans, Cartesian Diver
Judson Evans, Panopticon
Stanford Forrester, Halloween 1974
Elizabeth Howard, Huckleberries
Allen McGill, Night Shift
Don Miller, Deli Melt
Kilmeny Niland, Deceased Estate
Graham Nunn, On The Bus
Ray Rasmussen, The Moonlit Trail
Helen Ruggieri, The Edgewood Tavern
Adelaide Shaw, A Dream Visit
Geert Verbeke, Nostradamus
Tad Wojnicki, Looks Like Fall
Tad Wojnicki, Driving Carmel Valley Road

Haibun by the Editors

Ken Jones, Bread of Heaven
Jim Kacian, beneath a waxing moon
Bruce Ross, Waiting

Special Notices:

Haibun Writers Online Working Group. Members of this group actively submit and provide detailed critiques of other members' haibun compositions. If interested in joining, send two examples of your work to Ray Rasmussen.

Copyright: All contents are the property of the contributors and contemporary haibun online. Contributors are free to publish elsewhere so long as cho is cited as the first place of publication. No content may be published or distributed elsewhere in any form or in any way without permission of the contributors. cho is associated with the print journal contemporary haibun which is published annually and which can be ordered through the red moon press. cho retains the right to republish the contents in the print annual publication: contemporary haibun. Along with other work, the two and three quill haibun in cho will be published in the next print issue of contemporary haibun.