A Quarterly Journal of Contemporary English Language Haibun
| Current Issue | Editorial Staff | About This Journal | Submissions |
| Acceptance Criteria | Haibun Definitions | Articles | Archives | Search |

Archive: American Haibun & Haiga Volume 2

[Return to Author List, Vol 2 ]

Judson Evans




An ant circles the “O” of October—Circus Maximus, carved in granite. A rain of hay drifts at the turning post. The sound of the mowers far above, blue sky of another world . . . The rest of the letters and numbers—your full name/your empty dates: the simple maze of 8, the oxbow of S, the great serpentine without its Versailles, the drained locks of H, its empty artificial waterways. The great moulds emptied of molten summer. The prison yards, pristine canals, the stalls and slave quarters of E.

laying above you
tracing the Braille
of your name

The boys on riding mowers, their fluttering open legged khakis, legs with their dark growth of hair, close cropped summer haircuts consciously ungainly, spoiling to mar the beauty you will see to, dead or alive. All the things you would say like a hive at the end of summer.

teenage mower
rests his gas can
on someone’s grave

[Return to Author List, Vol 2 ]


Copyright: All contents are the property of the contributors and contemporary haibun online. Contributors are free to publish elsewhere so long as cho is cited as the first place of publication. No content may be published or distributed elsewhere in any form or in any way without permission of the contributors. cho retains the right to republish the contents in the print annual publication: contemporary haibun.



haibun, English haibun, haibun poetry, haiku, haiku poetry, English haiku, Japanese poetry, Japanese haibun.